（C） You would like to take good photographs of real-life situations but you have few ideas

（C）
You would like to take good photographs of real-life situations but you have few ideas for pictures. I suggest that you look around you. The everyday world is full of scenes being played by an ever-changing group of actors. You probably passed a dozen picture situations without noticing on your way to work this morning.
The realistic approach to photograph has been perfected in the past by such masters as Henri Cartier-Bresson and Bill Brandt. But while you can learn a great deal from looking at the work of others, any success you can hope to achieve in this field has to e from developing an individual approach.
The main requirement for any photographer has little to do with technical matters. You must develop an awareness of the world around you and the people who live in it, and you should learn to notice when a situation may develop to a point where you will be able to take a gook picture. Those who have reached this happy state will be prepared when that moment es, and will simply raise their camera quickly and shoot. Others who are not so aware will be struggling with camera cases and lens caps.
Film manufacturers must be delighted at the thought of the inexperienced photographer setting out in search of the right situation and the right moment. Many miles of costly material have passed through thousands of cameras as this endless search continues. But although a lot of this waste must be put down to inexperience, you’ll find that even the professionals have to use a lot of film when they are out shooting.
Not every shot（镜头；景） is going to be a winner. If you look at the work of even the best photographers, you’ll notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that the photographer has obviously been observing through the lens. You may find that you have taken one or two pictures after the right moment has passed as well. There is seldom more than one shot which stands out. There is just one point where it all es together, and you often have to waste film to catch that precious moment.
51. According to the passage, one can bee a better real-life photographer by     .
A. watching other photographers at work                  
B. learning about famous photographers
C. just taking a great many photographers          
D. developing skills and ideas for yourself
52. The writer thinks that a photographer is required to     .
A. go out and search for unusual situations  
B. be highly skilled in camera techniques
C. be able to tell when a good situation might e
D. have a camera which is easy and quick to use
53. Most likely, to catch the tight moment, one must     .
A. take pictures without too much preparation           
B. take a whole series of similar pictures
C. take great care to set up the situation                    
D. take one picture just at the right moment
54. Which of the following statements is TRUE?
A. The waste of film in photography is essential to the production of good pictures.
B. Film manufacturers usually enjoy pictures by inexperienced photographers.
C. Only amateur photographers waste film in taking pictures.
D. The waste of film, which is the result of poor choice of subject, is expensive and unnecessary.
55. The passage is     .
A. part of a book of camera instruction               B. an advertisement for film
C. a history of photography                               D. an introduction to photographyD